“Women as Boundary Markers between Islam and Secularism in Julia Kristeva’s Murder in Byzantium and Elif Şafak’s The Bastard of Istanbul.” Religion & Literature. 54.3. Forthcoming. (AHCI)

“Artifice of Love in Wharton’s The Age of Innocence.” American Literary Realism 54.2 (2022): 150-169. (AHCI)

“The Ambivalence of the Turban in Elizabeth Gaskell’s Cranford.” The CEA Critic 83.3 (2021): 219-234. (AHCI)

“Narratives of Korea and Dersim in Erendiz Atasü’s The Other Side of the Mountain.” Partial Answers: Journal of Literature and the History of Ideas 18.2 (2020): 281-301. (AHCI)

“Fin-de-Siècle and Motion Sickness in Florence Marryat’s The Blood of the Vampire (1897).”

Gaziantep Üniversitesi Sosyal Bilimler Dergisi 18. IDEA Special Issue (2019): 60-70.

“Love as a Contact Zone in Theresa Hak Kyung Cha’s Dictee (1982).” The Sungkyun Journal of East

Asian Studies 14.2 (2014): 219-233. (AHCI)

 “Scheherazade in the Western Palace: Martin Amis’s The Pregnant Widow.” Clio: A Journal of

Literature, History, and the Philosophy of History 43.3 (2014): 367-384. (AHCI)

 “Legitimacy of Teaching English Composition as a Non-native Speaker.” Universal Journal of Educational Research 1.3 (2013): 170–174.

“Representations of Istanbul in A. S. Byatt’s ‘The Djinn in the Nightingale’s Eye.” The AnaChronisT 16 (2011): 117-134.

“Istanbulite Women and the City in Elif Şafak’s The Bastard of Istanbul.” Journal of Turkish Literature Elif Şafak Special Issue 6 (2009): 21-44.

“The Dialogical Zone in Hannah Webster Foster’s The Coquette.” Genre: The Global Eighteenth Century 26 (2007): 42-59.

“Cry Babies Challenging the Feminist Myths.” Nebula 3.2-3 (2006): 25-45. <http://www.nobleworld.biz/images/Bulamur.pdf>.